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Bahnalifa April 26, 2023 Comment

What’s ⁠the the ideal place for developing ideas, developing your life drawing and imaginative drawing skills, trying out different compositions, taking notes on what inspires you and trying out new techniques?? Your sketchbook!

Although the instructors at Ashcan encourage students to keep a sketchbook, and express the great benefits of keeping one to work in daily, most often Ashcan students are reluctant at first.

We know that the empty space of a new sketchbook can be intimidating at first. But we’ve seen again and again that once you get in the habit of using your sketchbook daily, it will become your greatest learning tool and a place where you’ll discover your own unique vision and creative voice.

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Try to remember that your sketchbook is not just for drawing people, places and things, but it’s also a visual journal, a space to develop ideas where you don’t have to be afraid of how the end result turns out. It’s all about you, and it’s only for you, so it’s fun while also being a space to develop your drawing skill and drawing is the basis for all the visual arts.

It is an extremely rare person who isn’t afraid of failure, and with Art schools becoming increasingly more competitive it’s become even scarier.

Then on top of it we wonder if people will buy our art, or designs, if it’s a good idea to follow our dreams to pursue an education and later a career in art or design.

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This is one place where your sketchbook can be your greatest tool. They are a place where you don’t have to play it safe, where you can challenge yourself. If an idea doesn’t work in your sketchbook, you turn the page and try another. This mentality will help you learn from your mistakes and improve your skills and ideas much more quickly.

As a young child you were likely encouraged to play creatively, and were likely told how wonderful your drawings and paintings were. Our teachers and parents encourage us when we’re children.

Then, later when we decide we want to pursue art as a career, many people question this decision and express worry about our future. In effect, we begin to worry too, and often give into the fear. We overthink and become scared instead of making and doing and exploring ideas and experimenting.

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We can spend all of our time running over and over endless what ifs, and let them prevent us from doing work. Or we can believe we can succeed and dedicate a little time each day to working on developing ideas or drawing from life in your sketchbook.

The reason your sketchbook is your most important tool to make an outstanding portfolio, is that it allows you to practice and experiment.

You don’t have to make that one single work perfectly, you can just create more work instead. Our sketchbooks are the perfect place to let go of the worry of being perfect. It is only through constant creation that we can grow and become better, and work out ideas to create the scholarship worthy work art school admissions counselors love to see.

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If you draw in your sketchbook every day, or every other day, you’ll see your drawing skills improve really quickly. ⁠And if your sketchbook is done well, you can take a video of a sketchbook flip through to include in your Art Portfolio.

Ashcan Studio is a Portfolio Preparation School, helping thousands of art students get into the top BFA and MFA Visual Arts Programs We've created this blog to help you too, by offering weekly Updates and Tips on how to make an outstanding Art Portfolio and how to apply to Visual Arts Programs We offer our knowledge about: How to make art work admissions counselors will love Tips on how to find your unique creative voice Information on the best Art Schools Portfolio Examples What to do when you fell like your works not good enough Step by Step guides on everything Art School and more...Copyright © 2023, Los Angeles Times | Terms of Service | Privacy Policy | CA Notice of Collection | Do Not Sell or Share My Personal Information

This winter, hip-hop frontiersman Chance the Rapper made music history when he earned seven Grammy nominations for a release that is not available for purchase.

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His feat was the most recent indication of yet another seismic shift in online music retail. From instant downloads to all-you-can-stream plans, the state of digital music consumption has been in flux. Whether or not it receives trophies on Feb. 12, ”Coloring Book, ” with its nominations, portends a new norm.

Streaming music on audio and video platforms now represents 38% of total audio consumption, according to Nielsen Music. That’s a jump from 23% in 2014.

Chance the Rapper has earned seven Grammy nominations, including best new artist, for his self-released debut album, “Coloring Book, ” a streaming-only title.

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Eventually the big players — Spotify, Apple and Tidal — would like to do for music what the likes of Netlfix, Hulu and Amazon Prime did for TV, only there’s a catch: They offer virtually identical catalogs. “Coloring Book, ” for instance, is on Apple Music, Tidal, Google Music, Spotify, iHeartRadio and Deezer.

Constant rumors of consolidation are coming to pass. Last week phone carrier Sprint announced the purchase of a 33% stake in the Jay Z-owned Tidal, and Web radio innovator Pandora has unveiled its much-delayed intention to enter the market with an on-demand plan of its own.

Each service in the increasingly crowded field is working frantically to overcome the perception that the main distinction among the uniformly priced $9.99 a month offerings is little more than font style, quirky playlist title and color scheme.

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In contrast to the vast programming differences among Hulu, Netflix, HBO Go and other video streaming services, music platforms have long fought against the perception that they’re selling a nearly interchangeable product, said Mark Mulligan of Midia Research. “You’re getting sold the same car. It’s just got a different lick of paint on it.”

In turn, some are banking on exclusive releases. Subscribe to Spotify? Forget, then, about hearing the latest Frank Ocean “video album.” Others are betting fans want innovative content that merges playlist, podcast and radio station.

In 2017, personalization engines claim to deliver sounds with the adeptness of an expert record store clerk. Playlists don’t just recommend music, they attempt to “tell stories, ” in the words of Apple’s Zane Lowe, who oversees the company’s Beats 1 radio initiative.

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It’s perhaps one reason why, in announcing the return of hip-hop duo Run the Jewels’ “WRTJ” radio show, Beats 1 is tagging it a “season premiere.”

Yet as services attempt to diversify, there’s also the risk of alienating fans. Online exclusives, for instance, can lock an artist into a particular outlet — and lock non-subscribing fans out of hearing new music. (If only until their friend AirDrops them a copy.)

Apple Music stormed into the market in 2014 with a seemingly bottomless budget, not to mention famous executives, and has shown itself willing to invest in exclusives, most notably in its relationships with Taylor Swift, Ocean, U2 and Travis Scott.

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Such deals have proven controversial. According to a 2016 report in Bloomberg News, Apple-only artists have been threatened with being excluded from key Spotify playlists.

“We think exclusives are bad for artists and bad for fans, ” said Jonathan Prince, Spotify’s head of communications and public policy, in a statement. “Artists want as many fans as possible to hear their music, and fans want to be able to hear whatever they’re excited about or interested in — exclusives get in the way of that for everyone.”

For example, this music fan’s Monday-delivered recommendations recently tipped fantastic unheard music by artists including Brazilian singer Elza Soares, young singer-songwriter Faith Elliott and the ethereal instrumental music of Syrinx.

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“We’re past the discussion that we’re a bunch of robots that just don’t have a heart, ” said Doug Ford, Spotify’s director of editorial and music programming. He describes its approach as “man loves machine, ” adding that the machine team “is made up of the biggest music fans in the company. We’re all humans.”

Apple Music’s “My New Music Mix” attempts to work its magic in a similar way. Tidal calls its weekly recommendation playlist “The Weekly Brew.”

Last year, Apple Music premiered what its vice president of content and media apps, Robert Kondrk, described as “Apple Music 2.0, ” a massive makeover of its 15-month-old service that simplified and refined its key offerings like Beats 1 and curated playlists.

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Apple’s Lowe, DJ and creative director of Beats 1, described the objective as musical storytelling. “We help tell the story to keep the conversation moving, ” Lowe said, “and give artists and audience something that’s more layered and deeper than just the idea that music is functional.”

The addictive “Music’s Cool With Chilly Gonzales, ” for example features the witty Canadian pianist and Drake collaborator breaking down the musicality of artists including Beach House, Drake and Lana Del Rey.

The avant-rock singer and guitarist Annie Clark, who performs as St. Vincent, has turned her show